![]() Johanna Burton is Director and Curator of Education and Public Engagement at the New Museum of Contemporary Art in New York. The intimate nature of his work is reflected in his writings, which include excerpts from early and most recent interviews and a personal discussion of his video piece, Lights/Body (2002), as well as examples of his many influential artist’s books. Wolfgang Tillmans (Remscheid, Germany, 1968) is an artist and a photographer based in Berlin. She was a contributing author to Wolfgang Tillmans (Phaidon, 2002), Painting at the Edge of the World (Walker Art Center, 2001), and Takashi Murakami: The Meaning of the Nonsense of the Meaning (Abrams, 2000). Midori Matsui is anart critic, independent curator and scholar who has written extensively on Japanese and Western art and culture. From 1996 to 2006 he was the publisher of Index magazine. In 2001 he received the Frank Jewett Mather Award for art criticism from the College Art Association. Halley has also written extensively on art and culture. Exhibiting since the 1980s, Halley has presented surveys of his work at the CAPC Musée d’art Contemporain, Bordeaux (1991), The Museum of Modern Art, New York (1997), the Folkwang Museum, Essen, Germany (1998), and the Louisiana Art and Science Museum (2005). In 2001 he was awarded the art criticism prize of the German Kunstvereine. Verwoert is a contributing editor to Frieze magazine and also writes regularly for Afterall, Metropolis M, and Springerin. Since 2005 he has been a tutor and leader of the Imagined Communities seminar at the Piet Zwart Institute, Rotterdam. He is a member of the advisory board of the Munich Kunstverein and has been a guest professor of Contemporary Art and Theory at the Academy of Umeå, Sweden, and the Royal College of Art, London. ![]() Items can be purchased on the Raubdruckerin website or in their small Berlin shop, but you’ll want to hurry as there are very few items available and the store closes for Christmas.Jan Verwoert is a Berlin based art critic and curator. Raubdruckerin clames that its primary motivations are “to stimulate our perception regarding the relationship to our surrounding, refine everyday routines, as well as to be sensitive to the beauty hidden in the unexpected.” ![]() “Using the city or what the city is offering is more urban than graffiti, because I am walking on the streets every day, thousands of people do the same, and if she is using the railways to paint, it’s really part of the city,” Marcel Schlutt of fashion mag Katblut said. The collective also regularly runs “street-printing” workshops that anyone can attend. The visibility humanises the project and focuses on the concept of exchange – exchange with the city, the street, and the inhabitants and community therein. The entire operation is swift and discrete but still takes place in the public eye. When they finish printing an item, they take a photograph of it beside the texture that provided the pattern. Their supplies are minimalist, consisting solely of a cardboard frame, ink, brushes, and apparel. The artists make their prints on location, applying ink to the utility hole covers or whatever other surface catches their attention, and printing the designs on totes and t-shirts on the spot. That’s why it’s called Raubdruck because the designs are lifted from manhole covers,“ Emma France Raff told Euro News. They are from surfaces of the streets, from cement surfaces and grids of manhole covers I transfer them to T-shirts and other things and they’re given a new life. “The point is that the prints are not drawn by me. Sustainability is a crucial component of the project, as they aim to offer an alternative perspective and approach to mass production. The Raubdrucken team members find inspiration in the urban landscape and often overlooked surfaces of the city, such as utility hole covers and drains. They started in Lisbon, but have since expanded to Paris, Amsterdam, and Berlin, the latter being their base of operations. Founder Emma France Raff began experimenting with the concept of ‘urban printing press’ in 2006 when she founded the project in partnership with her father, Johannes Kohlrusch.
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